Last Saturday I assisted with a judging a preliminary round of a Pacific island dance contest. This Saturday I was one of four judges for the final round. Four judges judges seven groups on five criteria. The criteria were modified from last week.
1. Movement. (Late movement, Turn the other way, keep looking at the partner, etc.)
3. Always smile? Ashamed? No singing with the music?
4. Well practice?
5. Performance as a group
Chewing gum and chewing betelnut and spitting: 10 point deduction.
Each criteria was worth ten points. Each group danced two dances, each dance could generate up to 5 of the 10 points in each criteria.
With four judges, five criteria each worth ten points, in theory there was a maximum of 200 points possible. At the end of the evening the rank order and points for the seven dance groups ranged from 152 to 182 points.
|Bring it on girls, Pohnlik, Kolonia||182|
|Sista Sista, Ohmine, Kolonia||175.3|
|Young Roses, Paliais, Nett||174|
|Kapinga Pride, Pohn Rakied, Kolonia||162.5|
|G-Babes, Meitik, Nett||159|
|Ohnonlong, Wone, Kitti||158|
|Beauty Cousins, Madolehnihmw||152|
Second and third were only separated by 1.5 points, fifth and sixth by one point. As a statistician I have a preference for rubrics that generate more spread. I am all too keenly aware that small differentials are not statistically significant and are not likely to be repeated. That said, a dance contest is not unlike a sprinting race, crossing the line a few hundredths of a second ahead of another runner is the difference between gold and no medal.
Each group had four scores, one from each of the judges. The range from the lowest score to the highest score was smallest for Kapinga Pride and largest for G-babes. G-Babes divided and decorrelated the judges.
Beauty cousins also saw a large range in scores.
The judges seven scores, one for each dance group, tended to distribute in a range from 35 to 45.
Two judges had rather symmetric distributions about median scores of 40 and 41.5. My median of 45 was high and asymmetric. My low score of 32 was not an outlier, but that was in part due to my large inter-quartile range. One judge had a low outlier and the highest upper whisker at 49.
The dance instructors, coaches, and advisers are most likely to want to know their strengths and weaknesses against the rubric used. Overall the category “Always smile? Ashamed? No singing with the music?” (termed “Facial” in my analysis) scored the lowest.
One of the judges last week noted that she wanted to see more eye contact. Engage the audience, smile, show confidence, and show that you are enjoying yourself. I noted that one of the dancers seemed a little stiff, reserved, and was not moving as fluidly as I knew she could. I asked her and she said she was nervous tonight. During the free style, free dance at the end of the evening, however, her smile beamed out and she threw herself into competitive dancing with nothing short of gay abandon. All of her grace and fluidity were back.
One group looked over-practiced. They did not smile, just went through the paces. Perfect synch, no life, no zest. Maybe too many hours of practicing the dance over and over. The first place winners danced with confidence, big smiles, lively. They knew their moves, but they also appeared to be having fun with their dance and seemed to relish the spotlight. They were up there to bring it, as their group name suggests, and they were clearly excited at the change to perform in front of their friends and family.
The G-Babes were judged to have the best costumes with a 9.75 average for the four judges. In the other categories Bring it on girls captured the top averages.
Last week I noted some correlation differences among the three judges.
I correlated well with Leilani, and she correlated moderately well to Kiyoshi. The items that correlated Leilani and I were not those that correlated Dr. Umezu and I, and we saw a lower correlation. This pattern occurred again tonight.
|Correlations||Dela Cruz||Ichikawa||Lee Ling||Umezu|
Dela Cruz and I were highly correlated, we strongly concurred. Dela Cruz was only weakly correlated, at best, to Ichikawa and Umezu. I was not correlated to Ichikawa and Umezu, with a relationship between our scores that was no better than random. Ichikawa and Umezu were only moderately correlated.
A more detailed study of the correlations by criteria suggests that the four judges concurred on costume and performance, saw some limited agreement on movement, and disagreed on facial and practice criteria. Of interest was that the disagreements did not always occur between the same judges in those criteria where disagreement occurred.
Ultimately the rubric is open to interpretation. There was no training on the rubric nor were any of the judges professionally trained in dance. The goal was to identify groups that could be called upon to dance in dinner shows for visitors and guests. What might impress a tourist is not necessarily the same as what is likely to impress a professional dance judge. I suspect the judges achieved the goal desired despite some issues of internal inconsistency and differing interpretations.
The greatest divergence of scores seemed to be around G-Babes. I was left wondering whether there are cultural differences that may impact how one views the G-Babes.
The G-Babes were the youngest dancers dancing, maybe five or six years old, maybe the eldest is seven or thereabouts. I wondered about the G-Babes myself, but during the free dance sessions they were the first to stream out onto the grass and they danced and laughed with such enthusiasm. They were having the time of their lives. They clearly loved to “shake it” and enjoyed being out there with the “big girls”.
One cannot appreciate their diminutive stature compared to the other dancers until one sees them next to a Sista Sista dancer or a Bring It On Girls dancer as in the above photo. Whatever differences the judges perceived, the G-Babes were clearly the crowd favorite. Ferocious amounts of cuteness, clearly well practiced dance routines, and having fun.
That said, what does the visiting tourist come to see at a dinner dance show? What expectations are there? All of the dances tonight were Polynesian, and only Kapinga Pride is of Polynesian heritage. The true dances of Micronesia are wonderful and awesome, but nothing like what a tourist imagines. Besides, to some extent the Micronesian dances are reserved to their cultures. They are dances with meanings and cultural import. For the Micronesian dancers, the Polynesian dances are both what the tourist expects and what is culturally more comfortable to deliver up to foreigners. That is only my opinion, but if accepted, then groups such as Bring It On Girls and Sista Sista are the dinner show dance groups.
As I noted last week, I know some of the dancers, their families, and where they from on the island. I was impressed with all of the groups. Everyone clearly had gone home and put in a lot of solid practice. The costumes were also stepped up and improved. One could see a lot of work, effort, and pride had gone into each group’s preparation. I was certainly proud of all the dancers tonight.